Casting ribbons of sound-sometimes with charming delicacy, sometimes with full-throttle spinto lyricism-she engaged us in a history through little lessons, reflections and poetry of the era set to music.

Entire Review

She’s gonna let it shine

Third Coast Digest

February 28th, 2010, By Barbara Castonguay

Soprano Adrienne Danrich can really sing.

Danrich wrote This Little Light of Mine (commissioned by the Cincinnati Opera) to tell the stories of Marian Anderson and Leontyne Price through their own recordings, quotes, pictures, and her own interpretations of the arias and spirituals that made them famous. Danrich focuses mostly on the racial barriers that these breached to lead the way for African Americans in this country and in the world of opera.

Classical music aficionados may not learn much new about these revered singers. Danrich has gone to great lengths to make the show accessible for children and adults who may have never heard of these women or seen an opera. It’s an excellent introduction.

But the show does offer something for the cognoscenti: That voice. Danrich’s spinto soprano is deep, expansive and powerful. She was stunning in arias from Puccini’s Turandot and Madame Butterfly, and she is a skilled interpreter of spirituals. Her  excitement for and commitment to the music is palpable.

The recordings that Danrich chose to marry with the storytelling also comprised of jaw-dropping, world-class stuff.  Anderson’s interpretation of Schubert’s “Erlkonig” was especially arresting.  Her flawless diction and commitment to the portrayal of the four different characters in the piece are among the best you’ll ever hear.  Price’s “Ritorna vincitor” from Aida (if you’ve never had the pleasure of hearing it) is utterly mind-blowing.

These are important women, and Danrich is an important voice.